About

My photographic practice is shaped by memory, absence, and the emotional charge that certain places continue to hold. I am drawn to photography as a form of emotional archaeology — returning to what remains, even when what is absent cannot be recovered.

Working primarily in Japan, I photograph slowly and intuitively, often drawn to moments that feel suspended between presence and disappearance. The work is less about description than atmosphere, and less about spectacle than the quiet pressure of feeling.

This website gathers projects, fragments, and ongoing studies that sit between personal practice, research, and future studio ambitions in Kamakura.